'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book - Time Out This book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era - The New York Times

THE POST-SUBCULTURES READER Edited by David Muggleton and Rupert Weinzierl Availability: Now In Stock From Berg Publishers Pub date: Apr 2004 336 pages Size 5 1/2 x 8 1/4 $31.95 - Paperback (1-85973-668-8) Also available: $115.00 - Hardcover (1-85973-663-7) Review 'The Post-Subcultures Reader is a solid textbook for those who want a guide through subcultural theory after the Birmingham Centre's beatification.' Youth Studies Australia, vol. 24, no. 3, 2005 Description Once it was just Mods and Rockers or Hippies and Skinheads. Now we have Riot Grrls and Rappers; Modern Primitives and Metalheads; Goths, Clubcultures and Fetishists; Urban Tribes, New Age Travellers and Internet fan groups. In a global society with a rapid proliferation of images, fashions and lifestyles, it is -unsurprisingly - becoming increasingly difficult to pinpoint what 'subculture' actually means. Enthusiastically adopted by the media and academia, 'subculture' may be a convenient way to describe more unconventional aspects of youth culture, but it does little to help us comprehend the diverse range of youth groups in today's so-called 'postmodern' world. How can we begin to rethink, reformulate and replace outdated notions of 'subcultures' to make them applicable to the experiences of youth in the twenty-first century? And to what extent does this involve the challenging of past orthodoxies about spectacular subcultural styles? From Seattle anarchist punks to UK Asian underground music, Canadian female X-Files fans to Australian dance cultures, this groundbreaking book draws on a wide variety of international case studies to investigate the new relationships among youth subcultural music, politics and taste. Is it possible to work within the existing limitations of 'subculture', or has the concept exhausted its usefulness? Can attempts at re-conceptualization, such as neo-tribes, sub-streams and micro-networks, adequately capture the experience of fragmentation, flux and fluidity that is central to contemporary youth culture? This timely book is the first to challenge and reconsider the use of 'subculture'. In doing so, it questions the possibility and relevance of what might be termed 'post-subcultural studies' and helps to chart the emergence of a new paradigm for the study of youth subculture. Copyright © 2008 Palgrave Macmillan Ltd New York, NY 10010 Privacy Policy | UK and Rest of the world site | Contact us You're surfing with IE6 [IE (6.0)] on WinXP