在线阅读本书 It is 2000 B.C. in Egypt and Imhotep the Ka-Priest brings home his beautiful young concubine Nofret. However not all the members of his family welcome her and when she is found dead it is Imhotep’s daughter Renisenb who suspects it might not have been an accident. This death unleashes the greed and hate that have been building up within the family and the horrific events that follow tear it apart. With few allies she can confide in, even Renisenb has to constantly look over her shoulder.

THE NEW-LOOK NOW BROUGHT TO THE SERIES OF MISS MARPLE AUDIO BOOKS FOR THE 21ST CENTURY. As Jane Marple sat basking in the Caribbean sunshine she felt mildly discontented with life. True, the warmth eased her rheumatism, but here in paradise nothing ever happened. Eventually, her interest was aroused by an old soldier's yarn about a strange coincidence. Infuriatingly, just as he was about to show her an astonishing photograph, the Major's attention wandered. He never did finished the story!

A charity murder game at a Devon house turns into the real thing...Sir George and Lady Stubbs, the hosts of a village fete, hit upon the novel idea of staging a mock murder mystery. In good faith, Ariadne Oliver, the well known crime writer, agrees to organise their murder hunt. Despite weeks of meticulous planning, at the last minute Ariadne calls her friend Hercule Poirot for his expert assistance. Instinctively, she senses that something sinister is about to happen! Beware -- nobody is quite what they seem!

A full-length Hercule Poirot novel, adapted from Agatha Christie's stage play by Charles Osborne Sir Claud Amory's revolutionary new formula for a powerful explosive is stolen. Locking his house-guests in the library, Sir Claud switches off the lights to allow the thief to replace the formula, no questions asked. When the lights come on, he is dead, and Hercule Poirot and Captain Hastings have to unravel a tangle of family feuds, old flames and suspicious foreigners to find the killer and prevent a global catastrophe. BLACK COFFEE was Agatha Christie's first playscript, originally performed in 1930 and made into a now rarely-seen film the following year. Combining her typically beguiling plot and sparkling dialogue with his own faithful narrative, Charles Osborne's novelisation is 'A worthy addition to the Christie canon' (The Spectator)