稳行高处，ISBN：9787500831181，作者：（英）汉娜·何纳德（Hannah Hurnard）原著；王汉川译注；舒阳插图

'Every family is a ghost story ...' As a child, Charley Benetto was told by his father, 'You can be a mama's boy or a daddy's boy, but you can't be both.' So he chooses his father, only to see him disappear when Charley is on the verge of adolescence. Decades later, Charley is a broken man. His life has been destroyed by alcohol and regret. He loses his job. He leaves his family. He hits rock bottom after discovering he won't be invited to his only daughter's wedding. And he decides to take his own life. Charley makes a midnight ride to his small hometown: his final journey. But as he staggers into his old house, he makes an astonishing discovery. His mother - who died eight years earlier - is there, and welcomes Charley home as if nothing had ever happened. What follows is the one seemingly ordinary day so many of us yearn for: a chance to make good with a lost parent, to explain the family secrets and to seek forgiveness.

《血玲珑》内容简介：可爱漂亮的夏早早患上了绝症——渐进性贫血症，骨髓停止造血。美丽优雅的总经理卜绣文为了拯救女儿的生命倾尽所有，年轻潇洒的医生魏晓日十分同情她们的遭遇，并对卜绣文产生爱意。为此，魏晓日求助于自己的导师——医界泰斗钟百行先生，钟先生制定了医疗方案“血玲珑”，让卜绣文再生一个孩子，抽取其骨髓来挽救早早。然而，当卜绣文不顾一切冲破阻力怀孕之后却发现，她所怀的孩子与早早的基因并不相同——他们能否拯救早早如花的生命？爱的交融碰撞又将演绎一个怎样感人的故事？

《红高粱家族》是莫言向中国当代文学奉献的一部影响巨大的作品，被译成近二十种文字在全世界发行。他在这部作品中创造了他的文学王国“高密东北乡”，通过“我”的叙述，描写了抗日战争期间，“我”的祖先在高密东北乡上演了一幕幕轰轰烈烈、英勇悲壮的舞剧。“我”的家族里的先辈们，爷爷、奶奶、父亲、姑姑等，一方面奋起抗击残暴的日本侵略者，一方面发生着让子孙后代相形见拙的传奇般的爱情故事。书中洋溢着莫言独有的丰富饱满的想象力、令人叹服的感觉描写，并以汪洋恣肆之笔全力张扬中华民族的旺盛生命力，堪称当代文学中划时代的史诗精品。

Book Description This is the story of a man named Charley who loses his job, leaves his family, and decides, one night, to end his life. Somewhere between this world and the next, he encounters his mother, who died years ago, and he spends one last day with her - a day he never had on earth. This 'ordinary' day covers the whole of their existence, and reveals how Charley, like many children, was constantly forced to choose between his mother and his father. He gets the chance many of us yearn for - to ask the questions never asked while our parents are alive. In the end, Charley learns how little he really knew about his mother, how her love saved their family, and how deeply he wants the chance to save his own. From Publishers Weekly In this second novel from Tuesdays with Morrie and The Five People You Meet in Heaven author Albom, grief-stricken Charles "Chick" Benetto goes into an alcoholic tailspin when his always-attentive mother, Pauline, dies. Framed as an "as told to" story, Chick quickly narrates her funeral; his drink-fueled loss of savings, job ("sales") and family; and his descent into loneliness and isolation. After a suicide attempt, Chick encounters Pauline's ghost. Together, the two revisit Pauline's travails raising her children alone after his father abandons them: she braves the town's disapproval of her divorce and works at a beauty parlor, taking an extra job to put money aside for the children's education. Pauline cringes at the heartache Chick inflicted as a demanding child, obnoxious teen and brusque, oblivious adult chasing the will-o'-the-wisp of a baseball career. Through their story, Albom foregrounds family sanctity, maternal self-sacrifice and the destructive power of personal ambition and male self-involvement. He wields pathos as if it were a Louisville Slugger—shoveling dirt into Pauline's grave, Chick hears her spirit cry out, " 'Oh, Charley. How could you?' "—but Albom often strikes a nerve on his way to the heart. (Sept. 26) From AudioFile Charlie's been drunk so often and disappointed his daughter so many times that she doesn't invite him to her wedding. He even fails at his suicide. Or does he? When his deceased mother returns to love him unconditionally for one more day, he's not quite sure what's going on. The author reads his book with a deep, resonant voice that matches the sentimental sermonizing in the story. Albom's narration singsongs as Charlie reflects on his mother's past support, his own failings, and the events of a confusing present in which he relishes his mother's care and sees his own life clearly for the first time. S.W. Book Dimension : length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6

《死刑报告》当代中国第一部关注死刑的小说。小说通过对一个叫落城的地方几宗死刑案件的解析，对当代中国的死刑制度进行了深入的思考，并以文学的方式第一次近距离地探讨死刑问题。某种意义上，作家潘军这回是以文学的形式探讨法学的课题，但就小说文本而言，依然有着可贵的探索。小说以女警官柳青、记者陈晖和律师李志扬的视角展开故事，与之并行的是多年前美国那宗被称为[世纪审判]的辛普森案件的审理过程，如此的交织，形成了两种司法体系和刑罚观念的比照，同时也不得不对似恒定不变的刑罚观念和今天的死刑的适用进行深思。作家娴熟的叙述方式，使作品洋溢着人类终极关怀的精神，而显示的思辩色彩和独特视角，更让人心灵震撼。