In 1922, just four years after the war to end all wars, an unknown Austrian then living in Bavaria planned a pamphlet to be called Settling Accounts. In it he intended to attack the ineffectiveness of the dominant political parties in Germany which were opposed to the new National Socialists (Nazis). In November 1923, Adolf Hitler was jailed for the abortive Munich Beer Hall putsch along with men willing and able to assist him with his writing. With the help of these collaborators, chief among them Rudolf Hess, the pamphlet became a book. Settling Accounts became Mein Kampf, an unparalleled example of muddled economics and history, appalling bigotry, and an intense self-glorification of Adolf Hitler as the true founder and builder of the National Socialist movement. It was written in hate and it contained a blueprint for violent bloodshed. When Mein Kampf was published in 1925, it was a failure. In 1926 a second volume appeared - it was no more successful than the first. People either laughed at it or ignored it. They were wrong to do so. As Hitler's power increased, pressure was put on all party members to buy the book. Gradually this pressure was extended to all elements of the German population. Soon Mein Kampf was even being passed out to newlywed couples as a gift. Ironically, and frighteningly, by the time Hitler came to power on January 30, 1933, what has been considered by many to be the most satanic book ever written was running neck and neck with the Bible at the top of the German bestseller lists. In his excellent introduction to this definitive American translation of Mein Kampf, Konrad Heiden writes: "For years Mein Kampf stood as proof of the blindness and complacency of the world. For in its pages Hitler announced -- long before he came to power -- a program of blood and terror in a self-revelation of such overwhelming frankness that few among its readers had the courage to believe it ... That such a man could go so far toward realizing his ambitions, and -- above all -- could find millions of willing tools and helpers; that is a phenomenon the world will ponder for centuries to come." We would be wrong in thinking that such a program, such a man, and such appalling consequences could not reappear in our world of the present. We cannot permit our selves the luxury of forgetting the tragedy of World War II or the man who, more than any other, fostered it. Mein Kampf must be read and constantly remembered as a specimen of evil demagoguery that people whenever men grow tired of thinking and acting for themselves. Mein Kampf is a blueprint for the age of chaos. It transcends in historical importance any other book of the present generation. In his translation Ralph Manheim has taken particular care to give an exact English equivalent of Hitler's highly individual, and often awkward style, including his occasional grammatical errors. We believe this book should stand as the complete, final, and definitive English version of Hitler's own story of his life, his political philosophy, and his thwarted plans for world domination. Translated by Ralph Manheim with an introduction by Konrad Heiden. A compilation of Hitler's most famous prison writings of 1923--the bible of National Socialism and the blueprint for the Third Reich.

《清华园日记》是季羡林于清华大学学习期间所写的日记，时间跨度为1932年8月22日至1934年8月11日。曾分别出版过影印本与排印本（辽宁美术出版社，2002年），本册以排印本为底本，注释为作者的学生高鸿所加。 海报：

Voices Carry is the riveting autobiography of one of China's most prominent citizens of the twentieth century. Beginning with his imprisonment during the Cultural Revolution, Ying Ruocheng's narrative takes us through unexpectedly amusing adventures during his incarceration before flashing back to his childhood and the legacy of his elite Manchu Catholic family. An internationally renowned actor, director, and translator, Ying also held a high government post as vice minister of culture before and during the Tian'anmen Square massacre. Detailing his experiences as a student and actor during China's civil war and revolution, as well as episodes ranging from his partnership with Arthur Miller on Death of a Salesman to his roles in the films The Last Emperor and Little Buddha during the era of reform, Ying Ruocheng's memoir provides a rare glimpse behind the scenes of contemporary Chinese culture and politics.

《超越东西方》一书为吴经熊用英文撰写，于1951年在夏威夷完稿，在纽约初版，此后先后被译为法文、葡萄牙文、荷兰文、德文、韩文出版。这是他的自传体著作，书中以一种灵性自白的笔触描述了其人生经历、及其宗教皈依的心路历程。其思绪浪漫任运，题材涉猎广泛，文笔优美典雅，多有惊人之见和神来之笔，堪称中国现代基督宗教灵修文学之杰作。吴经熊以一种信仰的虔诚叙述了其对基督宗教的体验、见证，同时亦以一种比较的视域论及其对儒、佛、道三教和中国传统文化、以及中国精神之真谛精髓的体会、见解。在他看来，“中国人是按照儒家学说为人处世的，同时得到了道家去世思想的平衡，但在他们内在的生活里他们追随的却是佛教思想。”在此，儒家思想的本质乃论及伦理关系，道家思想关涉不可言喻、神秘莫测的终极实在，而佛教则以其“在片刻活出永恒”的禅悟来让人达到从此岸到彼岸、从缘起界到绝对界、从时间到永恒、从现象到实在的“过渡”。他认为，中国精神的最基本特征，“是抽象与具体、普遍与个别、最世俗与最脱俗、超越的理想主义与讲实际的实用主义的结合。”其实，吴经熊在这里已体悟到中华民族追求和谐的文化精神。可以说，儒家之道德哲学是以伦理学之途来追求众生的和谐，着眼于社会人生；道家之自然哲学是以生理学之途来追求自然的和谐，着眼于自然万物；而佛教之精神哲学则是以心理学之途来追求宇宙的和谐，着眼于内心反思。这些追求在中国文化中殊途同归，共构其追求和谐的文化精神。而吴经熊则引入了基督宗教信仰体系和西方文化精神传统的参照，旨在达到对东方、西方的超越。其以娴熟的西文来流畅阐述中国思想，本身更是体现出一种中西合璧、天衣无缝的和谐境界。