The Teller family business produces small parts for string instruments. Juergen Teller has taken photographs of company employees, his uncle and his uncle's collection of hunting trophies. He has also shot pictures in dripstone caves, of Kate Moss during her pregnancy and of himself. In the world of Juergen Teller, it somehow all fits together. Werkstatt--a studio or creative environment--collects, as Juergen Teller does, people and places. It combines scenes from the world he grew up in with selections from the world of beautiful images that he travels in today. Candid, subjective and completely without superficial affect, Teller offers a peek or two into his world. How it all fits together is left up to the viewer.

The year 2000 marks issue 200 and year 20 for i-D magazine. What better way to celebrate than make a book? As founder and editor-in-chief Terry Jones writes, "A cross between a menu and a diary, Smile i-D maps the magazine's journey beyond the veneer of regular fashion." Now that most of us consider i-D a household name, it's interesting to be reminded that 20 years ago, street fashion was a nascent concept. Finding music and street culture more interesting than the traditional fashion world, Terry Jones abandoned his post as Art Director at British Vogue in 1977 to embark on a journey that has revolutionized not only the world of fashion magazines, but arguably fashion itself. Blending fashion and social documentation, early issues of i-D (major collector items now) were 40 pages stapled together which sold for 50p. Journalistic in spirit and revolutionary in form, the magazine sought to show the world the gritty, real side of fashion as seen in the streets of London- kilts, mohawks, safety pins and all. When newsagents hesitated to sell i-D because of finger injuries resulting from the staples, early supporters helped by selling issues from the trunk of a Cadillac. Lots of teamwork and innovation brought i-D to the forefront of contemporary fashion culture and today it can be found at newsstands practically everywhere on the globe (minus the staples). Smile i-D incorporates a single spread from each issue of the magazine thus far. Watch out for the stars who appeared here before the rest of the world even knew who they were. And don't forget to check out the Madonna cover from issue 14: why is the mole on the wrong side of her face? You'll have to read the book to find out.

German photographer Sibylle Bergemann (1941-2010) made her living in fashion photography, but it was with her portraits of everyday life in East Germany over the 45 years of its existence that she gained acclaim. Nonetheless, she managed to make even her fashion photography subversive by East German terms, creating brilliant flares of color against uniform gray backdrops. "It's the fringes of the world that interest me," she famously declared, "not its center. The non-interchangeable is my concern. When there is something in faces or landscapes that doesn't quite fit." Well suited to such concerns, Polaroids have always occupied a place of affection within Bergemann's oeuvre; in these pictures, the artist captured more ephemeral moments and images than is typical of the rest of her oeuvre. Collected here for the first time, they record a vision without comparison in European photography.

Add an extra expressive quality to your letters by writing them on these picture-profuse notecards. Including 20 different cards of poignant Polaroid-effect prints, from a little girl in oversized rain boots to a yummy looking cupcake on a dish, along with envelopes, this adorable stationary set is sure to make your letters extra meaningful!

石内都（いしうち・みやこ）　1947年、群馬県生まれ。多摩美術大学中退。1979年、第4回木村伊兵衛写真賞受賞。1999年、第11回写真の会賞、第15回東川町国際写真フェスティバル国内作家賞受賞。2003年、第15回写真の会賞受賞。国内外で個展、グループ展多数。2005年にはヴェネチア・ビエンナーレ日本館にて「Mother's」を単独出品。写真集に『APARTMENT』（写真通信社、1978）、『絶唱・横須賀ストーリー』（写真通信社、1979）、『連夜の街』（朝日ソノラマ、1981）、『1･9･4･7』（IPC、1990）、『YOKOSUKA AGAIN』（蒼穹舎、1998）、『Endless Night 2001――連夜の街』（ワイズ出版、2001）、『Mother's』（蒼穹舎、2002）、『scars』（蒼穹舎、2002）ほかがある。