以历史的眼光和全球的视野　解读通向复兴之路的中国策一部视野开阔、思维创新的精彩论著、一系列热议话题的理性诠释，策略性建言振聋发聩。历史的大转折和大变革，需要大智慧，需要杰出的政治家、战略家和思想家作者作为留德博士，经过多年的思考，结合国外社会学前沿理论和中国国情，以历史的眼光和全球折视野，通过严谨的论证和理性的探讨，在大驾遥大背景下，对中国崛起进程中的国际关系、地缘困境、社会政治改革、文化软实力、市场化困境等宏观和微观问题进行了全面系统的分析，以生动的笔触、简洁的语文、富有激情而中正理智的思维，提出了全新的观点，提供了全新的视角。崛起策告诉我们：通向大国之路不仅需要激情、信心、决心，更需要富有理性的战略思考、实现困境突围的经国谋略、在国国民的精神和风貌……

Deep China investigates the emotional and moral lives of the Chinese people as they adjust to the challenges of modernity. Sharing a medical anthropology and cultural psychiatry perspective, Arthur Kleinman, Yunxiang Yan, Jing Jun, Sing Lee, Everett Zhang, Pan Tianshu, Wu Fei, and Guo Jinhua delve into intimate and sometimes hidden areas of personal life and social practice to observe and narrate the drama of Chinese individualization. The essays explore the remaking of the moral person during China’s profound social and economic transformation, unraveling the shifting practices and struggles of contemporary life.

An expose on how the rise of China will affect the American way of life The End of Cheap China is a fun, riveting, must-read book not only for people doing business in China but for anyone interested in understanding the forces that are changing the world. Many Americans know China for manufacturing cheap products, thanks largely to the country's vast supply of low-cost workers. But China is changing, and the glut of cheap labor that has made everyday low prices possible is drying up as the Chinese people seek not to make iPhones, but to buy them. Shaun Rein, Founder of the China Market Research Group, puts China's continuing transformation from producer to large-scale consumer - a process that is farther along than most economists think - under the microscope, examining eight megatrends that are catalyzing change in China and posing threats to Americans' consumption-driven way of life. Rein takes an engaging and informative approach to examining the extraordinary changes taking place across all levels of Chinese society, talking to everyone from Chinese billionaires and senior government officials to poor migrant workers and even prostitutes. He draws on personal stories and experiences from living in China since the 1990s as well as hard economic data. Each chapter focuses on a different aspect of China's transformation, from fast-improving Chinese companies to confident, optimistic Chinese women to the role of China's government, and at the end breaks down key lessons for readers to take away. The End of Cheap China shows: How rising labor and real estate costs are forcing manufacturers of cheap Chinese products to close, relocate, or move up the value stream How a restructuring economy moving away from exports to domestic consumption, and rising incomes will create opportunities for foreign brands to sell products in China rather than just producing there How Chinese consumption will build pressure on the global commodities markets, causing both inflation and friction with other nations How China's economic transformation spells the end of cheap consumption for Americans China's days as a low cost production center are numbered. The End of Cheap China exposes the end of America's consumerist way of life and gives clear advice on how companies can succeed in the new world order.

Through encounters with sundry artists, musicians, students, bar owners, gangsters, prostitutes, and slackers, Mexico assembles a compelling portrait of China�s contemporary youth culture and the limits of Communist control. The book�s subjects include a twenty-seven-year-old self-taught disaster photographer from the coal country in Shenyang; a twenty-nine-year-old mobster in Qingdao; a twenty-two-year-old Hendrixian Uighur guitar player making a splash in Shanghai; a Beijing university student who wishes that the system encouraged less rote memorization and more original thought; and an investigative journalist who no longer publishes himself, instead leading Western reporters to controversial stories. Mexico, a musician and poet who was a student in Beijing and subsequently managed a night club, has assumed a pseudonym to avoid trouble with the Chinese authorities. While occasionally anxious about his youth and his lack of credentials, he is a good listener and knows how to tell a provocative and illuminating story. Copyright ©2008 Click here to subscribe to The New Yorker

One part riveting account of fieldwork and one part rigorous academic study, Brand New China offers a unique perspective on the advertising and marketing culture of China. Jing Wang's experiences in the disparate worlds of Beijing advertising agencies and the U.S. academy allow her to share a unique perspective on China during its accelerated reintegration into the global market system. Brand New China offers a detailed, penetrating, and up-to-date portrayal of branding and advertising in contemporary China. Wang takes us inside an advertising agency to show the influence of American branding theories and models. She also examines the impact of new media practices on Chinese advertising, deliberates on the convergence of grassroots creative culture and viral marketing strategies, samples successful advertising campaigns, provides practical insights about Chinese consumer segments, and offers methodological reflections on pop culture and advertising research. This book unveils a "brand new" China that is under the sway of the ideology of global partnership while struggling not to become a mirror image of the United States. Wang takes on the task of showing where Western thinking works in China, where it does not, and, perhaps most important, where it creates opportunities for cross-fertilization. Thanks to its combination of engaging vignettes from the advertising world and thorough research that contextualizes these vignettes, Brand New China will be of interest to industry participants, students of popular culture, and the general reading public interested in learning about a rapidly transforming Chinese society.

Made in China is a fun-filled, action-packed journey into the heart of Chinese pop culture. For Asia-philes, designers, and pop culture junkies, designer Reed Darmon has collected the most colorful (and in some cases, the kookiest) Chinese ephemera in this chunky paperback. Candy wrappers, firecrackers, Chairman Mao heads, and more! These objects are a testament to the age-old Chinese fascination with vivid hues and whimsical figures. Even humdrum, everyday items such as matchbooks and sock labels are decorated with exuberant illustration. A stylishly designed object and graphic essay in one, Made in China is a kaleidoscope of playful graphics and vibrant design, from the post-revolution '50s through today.