《哲学与权力的谈判:德勒兹访谈录》为德勒兹的访谈录，主要介绍了法国现代的哲学理论，讨论了从《反俄狄浦斯》到《一千个平台》、电影、米歇尔·福柯等方面的话题。

The essential work on Proust--now in paperback In a remarkable instance of literary and philosophical interpretation, the incomparable Gilles Deleuze reads Marcel Proust's work as a narrative of an apprenticeship--more precisely, the apprenticeship of a man of letters. Considering the search to be one directed by an experience of signs, in which the protagonist learns to interpret and decode the kinds and types of symbols that surround him, Deleuze conducts us on a corollary search--one that leads to a new understanding of the signs that constitute A la recherche du temps perdu. In Richard Howard's graceful translation, augmented with an essay that Deleuze added to a later French edition, Proust and Signs is the complete English version of this work. Admired as an imaginative and innovative study of Proust and as one of Deleuze's more accessible works, Proust and Signs stands as the writer's most sustained attempt to understand and explain the work of art.

作為1991年法國轟動的暢銷書的《何謂哲學？》，鮮明地詮釋作者德勒茲畢生思考的主題，展現一個從哲學根本觀念切入的新穎視野，亦提供讀者另一個重新思考哲學的起點。「何謂哲學？」哲學是一門創造概念的學科。唯概念並非給定的已知，而是被創造，需要被創造的；愈是被創造，它愈是得以確立。哲學應告訴我們概念之創造性質為何，及其伴隨物為何：純粹內在性、內在平面，以及概念式人物。也明白了哲學不是什麼：它不是凝思，不是反思，不是溝通。哲學不是凝思，因為凝思是事物本身於其概念的創造中被觀看。 它不是反思，因為沒有人需要哲學來反思任何什麼：而哲學在溝通之中亦無法尋得任何終極庇護。

Gilles Deleuze was one of the most influential and revolutionary philosophers of the 20th century. Francis Bacon is widely regarded as one of the most radical painters of the 20th century. This title presents a deep engagement with Bacon's work and the nature of art. Deleuze analyses the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violent deformations of the flesh, the complex use of colour, the method of chance, and the use of the triptych form. Along the way, Deleuze introduces a number of his own famous concepts, such as the "body without organs" and the "diagram", and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions. Deleuze links Bacon's work to Cezanne's notion of a "logic" of sensation, which reaches its summit in colour and the "colouring sensation". Investigating this logic, Deleuze explores Bacon's crucial relation to past painters such as Velasquez, Cezanne and Soutine, as well as Bacon's rejection of expressionism and abstract painting.

《欲望游牧政治--吉尔·德勒兹的政治哲学思想研究》对吉尔·德勒兹的政治哲学思想进行了全面系统的分析。德勒兹将弗洛伊德的精神分析理论与马克思的历史唯物主义相结合，重新界定欲望概念，追溯欲望的历史叙事，他通过对欲望进行历史与政治的分析，建构了欲望微观政治。他的游牧政治则通过追踪逃逸线、生成少数主义和寻找战争机器定位解构现代性的三大组成部分：权力、主体和理性。 德勒兹拒绝对马克思作简单回应，他以精神分裂分析重绘资本主义，以装配理论重构社会构型，以“少数的”革命理论解构阶级革命理论，以控制社会理论推进现代社会批判理论。 时代的理论要为时代的变化作恰切的说明，德勒兹通过哲学的政治化对欲望、情感、文化、战争、战争机器、权力装配等不同方面的深入思考，给我们提供如何重新看待和审视以国家为代表的宏观政治对象及其对立面的全新视角。