前100 多页是以17岁的墨西哥诗人胡安·加西亚·马德罗的日记的形式叙述的，他在墨西哥城上大学，由于迷恋诗歌，他经常逃学，和一群自称“本能现实主义派”的诗人混在一起。日记中写道：“一位写诗的朋友说小说是异性恋的，诗歌是同性恋的，虽然他没明说，但我猜短篇小说是双性恋的。”小说揭示了他们的兴奋和无聊、文学上的自负和无知、抱负和焦虑。后400页的形式是对利马和贝拉诺的朋友、爱人、熟人和敌人的访谈，透过对这数十名目击者的访谈，勾勒出利马和贝拉诺在美国、奥地利、以色列等地的行踪。诗人们的结局总是很凄惨，利马曾在巴黎住过一段时间，非常穷困，有一次他在路上捡到一张5000法郎的纸币，此后他就总是低着头走路。

The first story collection by Roberto Bolano --"the real thing and the rarest" (Susan Sontag). Roberto Bolano's story collection "Last Evenings on Earth" was acclaimed by Francine Prose in "The New York Times Book Review" as "something extraordinarily beautiful and (at least to me) entirely new.... Reading Roberto Bolano is like hearing the secret story, being shown the fabric of the particular, watching the tracks of art and life merge at the horizon and linger there like a dream from which we awake inspired to look more attentively at the world." "The melancholy folklore of exile," as Bolano once put it, pervades these fourteen haunting stories. His narrators are usually writers living on the margins and grappling with private (and often unlucky) quests. Set in the Chilean exile diaspora of Latin American and Europe, and peopled by Bolano's beloved "failed generation," these stories are unimaginably gripping. One story begins: "Mauricio Silva, also known as 'The Eye, ' always tried to avoid violence, even at the risk of being considered a coward, but violence, real violence, is unavoidable, at least for those of us born in Latin America during the fifties and sixties and were about twenty years old at the time of Salvador Allende's death." "Last Evenings on Earth" has been hailed as "sheer brilliance" ("The San Francisco Chronicle"), "vaguely, pervasively frightening" ("The Nation") and "brilliant" ("Kirkus Reviews"). The stories, as "Publishers Weekly" noted, are "perfectly calibrated: Bolano limns the capacity of a voice to carry despair without shading into bitterness."