Publisher's Note Walter Hartright, a drawing instructor, comes to Limmeridge House to teach Laura and Marion Halcombe. He falls in love with Laura, but she is betrothed to someone else, and he must therefore leave Limmeridge. Before he goes, he tells Marian about his encounter with a beautiful woman dressed entirely in white, whom he later discovers escaped from an insane asylum. Here the mystery begins: Who is the woman in white? And is she truly insane? Synopsis Still unsurpassed as a masterpiece of narrative drive and excruciating suspense, 'The Woman in White' is also famous for introducing, in the figure of Count Fosco, the prototype of the suave, sophisticated evil genius. The first detective novel ever written, it has remained, since its publication in 1860, the most admired example of the genre.

“There, in the middle of the broad, bright high-road—there, as if it had that moment sprung out of the earth or dropped from the heaven—stood the figure of a solitary Woman, dressed from head to foot in white garments.” Thus young Walter Hartright first meets the mysterious woman in white in what soon became one of the most popular novels of the nineteenth century. Secrets, mistaken identities, surprise revelations, amnesia, locked rooms and locked asylums, and an unorthodox villain made this mystery thriller an instant success when it first appeared in 1860, and it has continued to enthrall readers ever since. From the hero’s foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collins’s narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing. Collins’s other great mystery, The Moonstone, has been called the finest detective story ever written, but it was this work that so gripped the imagination of the world that Wilkie Collins had his own tombstone inscribed: “Author of The Woman in White .”