编辑推荐：

一部反普鲁斯特主义的小说

卡尔维诺之后意大利最伟大的作家安东尼奥·塔布齐最具有创造性的天马行空之作，

充分展现其博学与才华。

十七个男人写得十七封情书，将我们带入了一个如电光石火般永恒的无人之地。

获2002年法国文化奖的外国文学奖。

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内容简介：

书中十七个男人写了十七个奇怪而美丽、充满幽怨的孤独的独白式的情书，每一个故事都在围绕自身打转，都描述了一段充满欲望的恋情，并希望得到一个永远也不会到来的回信。这些信件将读者带入了一个如电光石火般永恒的无人之地，“过去总在某处，悬在碎片中”。

这是一部反普鲁斯特主义的小说：无论过去如何困扰现在，都不可能回到过去。正如塔布齐所说，“破碎的时间是一个维度，你会发现许多人生活在其中……这是一种模糊的、不可能的情况，因为他们面临着一种遥远的、一种他们从未做出的选择。”

《基督教文化与西方文学》通过对基督教与西方文学的关系的梳理，探讨前者对西方文学创造的影响，从而有助于东方读者更准确地理解西方文学中的人物及主题。基督教是西方文明的精神核心之一，它渗透到了西方政治、经济、思想、文化等每一个领域，对文学的影响尤其深远。西方文学作品的品性，在一定意义上说，是由文学家置身其中的基督教文化决定的。

《圣经故事》借鉴了《圣经》的体例和框架，克服了《圣经》中说教意味较浓的叙事方式，用更为具体和翔实的资料充实了原书，用大量的图片传达了更多的信息，设计活泼而且又不失《圣经》的素雅是喜欢《圣经》的读者延伸阅读的良师益友。 特别需要说明的是，这本《圣经故事》中的二百四十多幅插图，是全球第一次出版。这些画紧扣《圣经》内容，前后贯通，画面中散发的气息和《圣经》所传导的精神非常切合，从而使本书成为图文互补、相得益彰的难得读本。

Book Description: Redefining the classic essay, this modern edition of Ralph Waldo Emerson’s most famous work, Self-Reliance , includes self-reflections from both historical and contemporary luminaries. With quotes from the likes of Henry Ford and Helen Keller to modern-day thought leaders like Jesse Dylan, Steve Pressfield, and Milton Glaser, we're reminded of the relevance of Emerson’s powerful words today. Emerson’s words are timeless. Persuasive and convincing, he challenges readers to define their own sense of accomplishment and asks them to measure themselves against their own standards, not those of society. This famous orator has utter faith in individualism and doesn’t invoke beyond what is humanly possible, he just believes deeply that each of us is capable of greatness. He asks us to define that greatness for ourselves and to be true to ourselves. At times harsh, at times comforting, Emerson’s words guide the reader to challenge their own beliefs and sense of self. This modern edition of Self-Reliance is ideal for graduates or those who are in the midst of a career or lifestyle change. Emerson's sage guidance wrapped in modern-day reflections is a great reminder about the potential within us all and that life is what you make of it.

The story is written in the first person as a series of journal entries, the narrator a woman whose physician husband has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working, and has to hide her journal entries from him, so she can recuperate from what he calls a "temporary nervous depression—a slight hysterical tendency," a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house. The story depicts the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw — not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper—the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell." In the end, she imagines there are women creeping around behind the patterns of the wallpaper, and comes to believe that she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up. "For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way."

《罗宾汉(学生注音读本)》内容包括：祸起萧墙、奔向新生活、林中伙伴、独闯诺定昂、反抗者的怒吼、落入敌手、艰难之路、患难之交、丛林里的战斗、开始还击、渡口之战、死亡阴影、建立一个快活的英格兰、修道院长落入圈套、虎口脱险、揭竿而起、乌云遮天、重挫、罗宾危在旦夕、实现罗宾的理想、实现罗宾的理想。