本书从海德格尔基本著作中精选160余条语段，分为“存在的真理”、“思想的任务”、“语言是存在的家”、“人，诗意地安居”、“技术和人的命运”五部分，另附三篇重要论文，大致勾勒出海错思想的轮廓，有助于读者更好地接近其邈无涯际的思想王国。

Maybe it was a grandparent, or a teacher or a colleague. Someone older, patient and wise, who understood you when you were young and searching, and gave you sound advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly 20 years ago. Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded. Wouldn't you like to see that person again, ask the bigger questions that still haunt you? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying of ALS - or motor neurone disease - Morrie visited Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final "class": lessons in how to live. This is a chronicle of their time together, through which Mitch shares Morrie's lasting gift with the world.

存在主义是现代西方哲学中影响极大、流行极广、风行一时的哲学流派。其主要代表人物就是法国哲学家萨特，他的思想浸透于各种意识形态和生活方式之中。本书由两篇构成：《存在主义是一种人道主义》和《今天的希望：与萨特的谈话》。前者发表于1946年，后一篇发表于1980年去世前不久，其中萨特一再强调，他的存在主义本质上是一种对人生充满希望的乐观主义哲学。

在线阅读本书 Few philosophers have had a more profound influence on the course of modern philosophy than Bertrand Russell. The Basic Writings of Bertrand Russell is a comprehensive anthology of Russell’s most definitive essays written between 1903 and 1959. First published in 1961, this remarkable collection is a testament to a philosopher whom many consider to be one of the most influential thinkers of the twentieth century. This is an essential introduction to the brilliance of Bertrand Russell.

本书是作者科学哲学方面的代表作，集中体现了巴什拉犀利、明确的思想性格和凝练、晓畅文风、深入探讨了前科学精神的各种根本谬误，揭示了前科学时期的精神风貌，并澄清了科学精神的实质。但这不是一本学究写给学究的书，巴什拉展现了一道中世纪以来的精神奇观，我们将从中了解炼金术士的爱欲、化学中的两性斗争以及欧洲皇宫中的电实验闹剧。但是，巴什拉谈论的仍然是科学精神的问题，只不过是用了他自己的方式。读了这本书，您也许会发现您以前真的误解了科学，而只是科学闹剧的参与者或它的忠实观众，或者，是一个搞错了对象的抨击者。

The language we use when we are in love is not a language we speak, for it is addressed to ourselves and to our imaginary beloved. It is a language of solitude, of mythology, of what Barthes calls an 'image repertoire'. This book revives beyond the psychological or clinical enterprises which have characterised such researches in our culture - the notion of the amorous subject. It will be enjoyed and understood by two groups of readers: those who have been in love (Or think they have, which is the same thing), and those who have never been in love (or think they have not, which is the same thing). This book might be considered, in its restless search for authorities and examples, which range from Nietzsche to Zen, from Ruysbroek to Debussy, an encyclopaedia of that affirmative discourse which is the lover's.