目录
Introduction
Chapter 1 Woman as Writers in the Song Dynasty
Courtesans as Poets
Literati Women as Poets
Poets of Repute
Chapter 2 Writing and Struggle for Acceptance
Li Qingzhao on Reading and Writing
The Early Critics on Li Qingzhao
Li Qingzhao's Shi Poetry and the Masculine Mode
"On Song Lyrics"
Chapter 3 Song Lyrics Preliminaries
The Authenticity Question
The Autobiographical Reading Problem
Why Are Women Poets Read That Way?
Why Did Zhao Mingcheng Not Send Letters Home to Li Qingzhao?
Chapter 4 Widowhood, Remarriage, Divorce
Fleeing the Jurchen and the Death of Zhao Mingcheng
Remarriage and Divorce
Larger Issues
Chapter 5 Writings from the Aftermath
Poems Addressed to Emissaries
Writings on Capture the Horse
Chapter 6 The "Afterword"
Looking beyond the Text
Other Aims and Considerations
Chapter 7 The Beginnings of "Li Qingzhao": Reception during the Southern Song and Yuan
The Misery of Her Later Years
Devotion to Zhao Mingcheng
Stories in the Unofficial Biography
The Epitome of the Lonely Woman
In Early Anthologies
Chapter 8 Saving the Widow, Denying the Remarriage: Reception during the Ming and Qing
The Ming-Qing Rise of Women's Writing
The Iconic Woman Poet
Wang Shizhen's Matching Song Lyrics
The Multitalented Woman, "Genuine" Words
The Remarriage of Widows, Yuan through Qing
Moral Condemnation of Li Qingzhao
Disbelief and Exasperation
Denying the Remarriage
The Reconstituted Li Qingzhao in the Late Qing
Chapter 9 Modernism, Revisionism, Feminism: Reception in Modern Times
May Forth Period Histories of Chinese Literature
The Remarriage Controversy, 1957-2010
The Concubine or Other Woman Question
Chapter 10 Song Lyrics, Part I
Rewriting Earlier Lines
The Outdoors
A Peculiar Mood
Women in Song Lyrics by Male Writers
Chapter 11 Song Lyrics, Part2
Songs of Flirtatiousness
Other Late Attributions
Contours of Affection and Preconceptions
Conclusion
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内容简介
widely considered the pre-eminent Chinese woman poet, Li Qingzhao(1084-1150s) occupies a crucial place in China's literary and cultural history. One of the ways she is significant is as the great exception to the rule that the first-rank poets in pre-modern China were male. But at what price to our understanding of her as a writer does this distinction come? This book challenges conventional modes of thinking about Li Qingzhao as a devoted but often lonely wife and, later, a forlorn widow. By examining manipulations of her image by the critical tradition in later imperial times and into the twentieth century, Ronald Egan brings to light the ways in which critics sought to accommodate her to cultural norms, molding her "talent" to make it compatible with ideals of womanly conduct ad identity. Contested images of her, including a heated controversy concerning her remarriage and its implications for her "devotion" to her first husband, reveal the difficulty literary culture has had in coping with this woman of extraordinary conduct and ability. The study ends with a reappraisal of Li Qingzhao's poetry, freed from the autobiographical and reductive readings that have traditionally been imposed on it and are standard even today.
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