“我多希望在还只爱她一个人的时候就死去。”——海明威 故事发生在1920年代，著名的爵士时代，著名的迷惘的一代。彼时的巴黎才人云集、流光溢彩，而海明威与哈德莉是其中的黄金佳偶。 来自圣路易斯市的姑娘哈德莉，美丽、沉默、家境良好却压抑，父亲自杀，母亲去世，她与强势的姐姐一家一起生活。但当28岁的哈德莉与20岁的海明威相遇后，一切都改变了。年轻的海明威英俊、热烈、敏感，他带哈德莉结识各色有趣的人，带她投入变幻的巴黎生活。哈德莉逐渐盛放，心性中的率真、善良、沉稳，使她成为海明威的缪斯，也成为这位尚未成名的作家最可靠的伙伴、最坚定的支持者，以及最温暖的照顾者。然而，随着海明威的事业与声名日盛，他们的感情遇到越来越多的考验，哈德莉意识到，巴黎成就了他们的成功与幸福，也正在夺走他们的爱情和婚姻…… 多年之后，“哈德莉”将这段尘封已久的往事娓娓道来。这令人向往又使人神伤的爱恋，是仅属于那个年代的巴黎传奇，是一部翻遍文学史也读不到的哀婉篇章。 ———————————————————————————————————— 35个国家/地区相继出版 亚马逊网站2011年最佳图书 雄踞《纽约时报》排行榜56周 2011年10月新款kindle上市主打图书 美国独立书商协会畅销榜冠军 巴诺书店畅销榜第9名 持续上榜《华盛顿邮报》《今日美国报》《波士顿环球报》《洛杉矶时报》…… 繁体版台湾诚品、博客来、金石堂书店畅销佳作

The Sun Also Rises was Ernest Hemingway's first big novel, and immediately established Hemingway as one of the great prose stylists, and one of the preeminent writers of his time. It is also the book that encapsulates the angst of the post-World War I generation, known as the Lost Generation. This poignantly beautiful story of a group of American and English expatriates in Paris on an excursion to Pamplona represents a dramatic step forward for Hemingway's evolving style. Featuring Left Bank Paris in the 1920s and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes. In an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions, this is the Lost Generation.

《非洲的青山》一书，海明威以惊人的记忆，精湛的笔法，再现了在非洲深山老林里的打猎经过，让读者身临其境般地感受到作者与动物斗智斗勇的惊险场面，聆听到非洲独有的狮吼捻叫；同时，海明威生动地描述了自己与卡尔竞争的过程中表现出的好胜心和妨忌心，毫不留情地“解剖”了自己，表现了男子汉的坦诚。

《海明威小说:丧钟为谁而鸣》是海明威的主要作品之一。美国青年罗伯特•乔丹志愿参加西班牙政府军，在敌后搞爆破活动。为配合反攻，他奉命和地方游击队联系，完成炸桥任务。在纷飞的战火中，他与被敌人糟蹋过的小姑娘玛丽亚堕入爱河，藉此抹平了玛丽亚心灵的创伤。在三天的时间里，罗伯特历经爱情与职责的冲突和生与死的考验，人性不断升华。在炸桥的撤退途中，他把生的希望让给别人，自己却被炮弹炸断了大腿，独自留下阻击敌人，最终为西班牙人民献出了年轻的生命。《海明威小说:丧钟为谁而鸣》以其深沉的人道主力量感动了一代又一代人。

"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil." Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist forms; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertude Stein held court at 27 rue de Fleurus, and deemed young Ernest a member of rue génération perdue; and T. S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel, The Sun Also Rises, and the subsequent masterpieces that followed. Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man -- a map drawn in his distinct prose of the streets and cafés and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft. A Moveable Feast is at once an elegy to the remarkable group of expatriates that gathered in Paris during the twenties and a testament to the risks and rewards of the writerly life.

� 海明威把早年所写的49个短篇，加上剧本《第五纵队》于1938年一起结集出版。其中有的篇 幅较大，例如以白种人到非洲狩猎为题材的《乞力马扎罗的雪》和《弗朗西斯・麦康伯短促 的 幸福生活》，后来都被搬上了银幕。另外有十多篇以尼克・亚当斯为主人公的短篇如《印第 安 人营地》、《杀人者》、《大双心河》等，反映作者本人青少年时期的成长过程，都是充分 体现其“冰山理论”的名作。