第一章　镜头高级运用 1.1长焦镜头远拍 ....................................2 1.2长焦镜头近拍 ...................................4 1.3固定长焦镜头 ....................................6 1.4运动长焦镜头 ....................................8 1.5广角镜头远拍 ..................................10 1.6 广角镜头近拍 ..................................12 1.7固定广角镜头 ..................................14 1.8运动广角镜头 ..................................16 1.9中焦镜头 .........................................18 1.10镜头的切换 ......................................20 第二章　基本运动 2.1融合运动 .........................................24 2.2运动的摄影机 ..................................26 2.3演员驱动摄影机 ..............................28 2.4揭示式的运动 ..................................30 2.5与摄影机一同运动 ...........................32 2.6向前运动 .........................................34 2.7侧向运动 .........................................36 2.8斜式运动 .........................................38 2.9短距离运动 ......................................40 2.10转向运动与曲线运动 .......................42 第三章　纵深调度 3.1演员的移动 ......................................46 3.2横过画面 .........................................48 3.3移动用作取景 ..................................50 3.4视点移动 .........................................52 3.5移动用作揭示 ..................................54 3.6镜面反射 .........................................56 3.7反向推进 .........................................58 3.8推轨引入演员 ..................................60 第四章　高级取景 4.1越轴 ................................................64 4.2打破剪辑 .........................................66 4.3摇摄运动 .........................................68 4.4穿过人群 .........................................70 4.5重复角度推近 ..................................72 4.6俯仰用作揭示 ..................................74 4.7旋转出画 .........................................76 4.8剪影 ................................................78 第五章　象征性场景调度 5.1双重推进 .........................................82 5.2吸引演员 .........................................84 5.3亲密关系中断 ..................................86 5.4俯瞰后拉 .........................................88 5.5权力交换 .........................................90 5.6犹豫不决 .........................................92 5.7孤立推进 .........................................94 5.8打破多人场景 ..................................96 第六章　美术设计与外景 6.1反定场镜头 ....................................100 6.2朦胧画面 .......................................102 6.3充实前景 .......................................104 6.4假墙 ..............................................106 6.5穿过画面 .......................................108 6.6窗框聚焦 ....................................... 110 6.7亲自揭示 ....................................... 112 6.8镜面反射定场 ................................ 114 6.9镜面反射逆向运用 ......................... 116 第七章　动态动作 7.1动作转换 .......................................120 7.2误导运动 .......................................122 7.3回到主体 .......................................124 7.4暂停推进 .......................................126 7.5推进对抗流 ....................................128 7.6环绕运动 .......................................130 7.7传达速度 .......................................132 7.8转身剪辑 .......................................134 第八章　拍摄表演 8.1展开场景 .......................................138 8.2肢体表演 .......................................140 8.3核心特写 .......................................142 8.4大特写 ...........................................144 8.5正反角度的对话 ............................146 8.6融入场景 .......................................148 8.7主宰场景 .......................................150 8.8并行空间 .......................................152 8.9分开演员 .......................................154 第九章　摄影机高度 9.1头部高度 .......................................158 9.2入侵角度 .......................................160 9.3正反角度的高度 ............................162 9.4落至摄影机高度 ............................164 9.5下降镜头 .......................................166 9.6俯拍 ..............................................168 9.7固定仰拍 .......................................170 9.8不可见的面部 ................................172 9.9仰视推轨 .......................................174 9.10就座的力量 ....................................176 第十章　复杂摄影机运动 10.1复杂旋转 .......................................180 10.2移动的演员 ....................................182 10.3从主镜头切出 ................................184 10.4对角线揭示 ....................................186 10.5跟拍长镜头 ....................................188 10.6推轨取景 .......................................190 10.7推至特写 .......................................192 10.8全景到特写 ....................................194 10.9对向滑动 .......................................196 10.10多人运动 .......................................198 第十一章　高级导演技巧 11.1 纵深的演员调度 ............................202 11.2激发摄影机 ....................................204 11.3发展中的运动 ................................206 11.4空间利用 .......................................208 11.5迷失的布局 ....................................210 11.6演员视野 .......................................212 11.7故事点 ...........................................214 11.8场景调度 .......................................216 11.9视觉化场景 ....................................218 11.10即兴发挥 .......................................220 结语 .............................................222 作者简介 ....................................223